ESRARC 2014. 6th European Symposium on Religious Art, Restoration & Conservation. Proceeding Book

ESRARC 2014. 6TH EUROPEAN SYMPOSIUM ON RELIGIOUS ART, RESTORATION & CONSERVATION
Edited by: Oana Adriana Cuzman, Rachele Manganelli Del Fà, Piero Tiano
Pagine 218, brossura, illustrato a colori, 21×29,7 cm, anno 2014
Isbn: 9788840443683

Proceedings Book del convegno internazionale Esrarc 2014, Firenze 9-11 giugno 2014. Il convegno, momento di riferimento internazionale per la conservazione e il restauro dell’arte religiosa, è stato organizzato da Dipartimento ICVBC-CNR, OPD, Facoltà di Teologia Ortodossa dell’Università “Al.I. Cuza” di Iaşi, European Journal of Science and Technology, Istituto di Chimica Macromolecolare PetruPoni dell’Accademina Rumena di Iaşi, PCAS-Pontifica Commissione di Archeologia Sacra, Ufficio Arte Sacra e Beni Culturali dell’Arcidiocesi di Firenze, DSU-CNR-Dipartimento di Scienze Umane e Sociali, Patrimonio Culturale

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GENERAL INDEX

INTRODUCTORY LECTURES
RESTORING RELIGIOUS ART – FROM THEORY AND ETHICS TO PRACTICE
Giorgio Bonsanti
THE GILDING TECHNIQUES IN THE ANCIENT SACRED ART
Mauro Matteini
RELIGIOUS INDO-TIBETAN ART: AN INTRODUCTION
Massimiliano A. Polichetti

KEYNOTE LECTURES
MONITORING AND MAINTENANCE: 2 KEY ASPECTS FOR THE CONSERVATION OF MOVEABLE AND IMMOVABLE CULTURAL HERITAGE
Adriana Bernardi
PRESERVATION AND USE OF THE RELIGIOUS SITES: THE CASE STUDY OF THE ROMAN CATACOMBS
Barbara Mazzei
THE SOUTHERN PORCH OF SUCEVIŢA MONASTERY – ARGUMENT FOR THE EUROPEAN CHRISTIAN VISION
Melniciuc Puică Ilie, Rusu Iulian
NON-INVASIVE HYPER-SPECTRAL IMAGING TECHNIQUE: A MULTI-TASK METHODOLOGY FOR THE INVESTIGATION OF ARTWORKS
Marcello Picollo, Andrea Casini, Costanza Cucci, Lorenzo Stefani
HISTORIC AND ACTUAL MATERIALS FOR STONE CONSERVATION: AN OVERVIEW
Barbara Sacchi

ARTISTIC AND CULTURAL EVALUATION
RELIGIOUS MURAL PAINTING OF GHEORGHE IOANID, CASE STUDY: CHURCHES FROM CRAIOVA AND VASLUI-ROMANIA
Annamaria Baciu, Sabin Pompei Grapini
AN INTEGRATED MULTI – ANALYTICAL APPROACH TO THE RESTORATION OF A WALL PAINTING. AN IMMACULATE CONCEPTION OF XVIITH CENTURY IN FERRARA
Balboni Veronica, Bevilacqua Fabio, Casoli Antonella, Colombo Chiara, Realini Marco
EXPRESSIONAL QUALITIES IN ANATOLIAN OTTOMAN MOSQUE ARCHITECTURE AS A PART OF INTANGIBLE CULTURAL HERITAGE
Gulsen Disli
CANVAS SUPPORT AS MATERIALIZATION OF RELIGIOUS-PEDAGOGIC PROPAGANDA
Maltieira Rita, Calvo Ana, Cunha Joana
WHEN DENDROCHRONOLOGY IS PROVING THE ART HISTORIAN RIGHT
Olstad Tone Marie, Stornes Jan Michael Bartholin, Thomas Seip
THE SACRED AND THE PROFANE IN THE EIGHTEENTH AND NINETEENTHCENTURY ROMANIAN ART: INFLUENCES, REPRESENTATION AND PRESERVATION IN IASI (I)
Cojocea Bogdan, Dominte G. Merişor, Onica Stelian, Sofragiu Petru, Vraciu Marina, Dominte M. Irinel

HISTORIC, THEOLOGICAL AND SOCIAL PERSPECTIVES (PAST AND PRESENT)
“PASSION CLOCK”S IN NORWEGIAN CHURCHES. ICONOGRAPY AND CONDITION
Andersen Elisabeth, Jernæs Nina Kjølsen
AN IMAGE WHATEVER THE COST? ABOUT THE KIND OF IMAGE, THAT DESERVES ALL THE COSTS TO PRESERVING IT IN THEODORE THE STUDITE’S WRITINGS. THE BEAUTY AND THE ANTICHRIST OF THE ICONODULES AND OF THE ICONOGRAPHERS
Burlacu Magdalena
CONSERVATION AND RESTORATION OF ST JOHN’S CO-CATHEDRAL THE CHALLENGE OF RECONCILING PAST AND PRESENT USE
Cynthia de Giorgio
COMPARATIVE ANALYSIS OF FATALISTIC BELIEFS IN THE PROPHETIC CUSTOMS OF ANCIENT SOCIETIES AND THE REPUBLIC OF MACEDONIA
Lidija Kovacheva
PRESERVATION OF SACRAL MONUMENTS IN SLOVAKIA – HISTORY, PRESENT SITUATION AND PERSPECTIVES
Magal Slavomír, Tinka Jozef
TRADITION AND ORIGINALITY IN THE ART OF ILLUSTRATING MANUSCRIPTS IN MOLDOVA. THE SCHOOL OF DRAGOMIRNA
Elena Ardelean, Nicoleta Melniciuc Puica
THE MESSAGE OF THE BOOK OF REVELATION IN THE OLD PAINTINGS OF THE NORTHERN ROMANIA CHURCHES
Melniciuc Puica Ilie
THE SIEGE OF CONSTANTINOPLE: FROM DEFEAT TO VICTORY
Mihaela Palade

ENVIRONMENTAL IMPACT
IDENTIFICATION OF BRONZE CORROSION PRODUCTS IN HISTORIC OBJECT
Daniel Mareci, Iulian Rusu, Bogdan Istrate, Georgiana Bolat, Corneliu Munteanu, Romeu Chelariu

ANALYTICAL, DIAGNOSTIC AND INTERVENTION METHODOLOGIES
ETHICAL AND TECHNICAL CONCERNS DURING THE CONSERVATION PROCESS OF A RELIGIOUS BOOK: THE BOOK OF HOURS FROM THE LIBRARY OF PALÁCIO NACIONAL DE MAFRA
Rita Araújo, Conceição Casanova, Maria João Melo, Ana Lemos
THE ISOLATION AND CHARACTERIZATION OF BIOLOGICAL AGENTS INVOLVED IN THE BIODETERIORATION OF OLD BOOKS FROM “DUMITRU STANILOAE” METROPOLITAN LIBRARY OF IAŞI
N. Melniciuc Puica, S. Dunca, C. Tănase, E. Ardelean
POLYCHROMY OF THE MAIN ENTRANCE TO THE CLOISTER OF THE BURGOS CATHEDRAL
María Dolores Robador, Fátima Arroyo Torralvo
THE BURGOS CATHEDRAL: CHARACTERISATION OF LIME-BASED MORTARS
María Dolores Robador, Fátima Arroyo Torralvo
AN APPLICATION OF MULTICRITERIA DECISION METHODOLOGY TO RELIGIOUS HERITAGE CONSERVATION. THE CASE OF THE CATHEDRAL OF JEREZ DE LA FRONTERA (CÁDIZ)
Fátima Arroyo Torralvo, Rosario Villegas Sanchez
PHYSICAL-CHEMICAL INVESTIGATIONS OF TWO MOLENS FROM TELCIU OLD WOODEN CHURCH, BISTRIŢANĂSĂUD COUNTY, ROMANIA
Constantin Marutoiu, Ana Platon, Annamaria Baciu, Iren Kacso, Victor Constantin Marutoiu and Ioan Bratu
ARMENIAN ILLUMINATED MANUSCRIPTS, A COLOURFUL TESTIMONY OF RELIGIOUS ART EXAMINED BY MOLECULAR SPECTROSCOPY TECHNIQUES
Pietro Baraldi, Yeghis Keheyan, Gayane Eliazan, Andranik Mkrtichian, Stella Nunziante, Cecilia Baraldi
INVESTIGATION FOR RESTORATION ON SOME MURAL PAINTINGS FROM THE CRYPT OF THE ISCHIA CASTLE
Pietro Baraldi, Teodoro Auricchio, Annalisa Pilato, Eleonora Cerra, Graziano Barbi, Caterina Merli, Cristiana Barbi, Alessandro Crivelli
TECHNICAL AND HISTORICAL EXAMINATION OF VIRGIN SURROUNDED BY FLOWERS PAINTING OF JAN VAN KESSELI
Barbosa Carlota, Calvo Ana, Aguiar Maria
THE PULPIT OF ST.MARY CHURCH IN BERGEN (NORWAY): TRADING WITH VENICE TURPENTINE
A. Lluveras-Tenorio, B. Wapler, I. Bonaduce, M.P. Colombini
LASER SCANNING FOR HISTORIC CHURCHES RESTORATION AND CONSERVATION: CHURCH OF SAN FILIPPO IN CAGLI
Paolo Clini, Alberto Mazzacchera, Romina Nespeca
THE LAPIDAZIONE DI SANTO STEFANO BY GIORGIO VASARI: THE STUDY OF THE WOODEN SUPPORT’S DEFORMATIONS AS A CONTRIBUTION TO RESTORATION AND FUTURE CONSERVATION
Cocchi Linda, Goli Giacomo, Mazzanti Paola, Marcon Bertrand, Uzielli Luca
MULTI ANALYTICAL INVESTIGATION OF THE PAINTING TECHNIQUE IN THE CYPRUS ORTHODOX ICON TRADITION
A. Lluveras-Tenorio, I. Degano, F. Parlanti, I. Bonaduce, K. Rasmussen, G. Lorenzetti, S. Legnaioli, V. Palleschi, Demosthenis Demosthenous, M.P. Colombini
COLORIMETRIC STUDY OF THE POST-PROCESSING EFFECT DUE TO ARTIFICIAL AGING AND GAMMA IRRADIATION OF COTTON
Maria Geba, Dorina Rusu, Angelica Olaru
EGG-TEMPERA TECHNIQUES IN LATE 14TH CENTURY FLORENCE: NEW INVESTIGATIONS ON THE ANNUNCIATION AND SAINTS POLYPTYCH BY GIOVANNI DEL BIONDO (GALLERIA DELL’ACCADEMIA, FLORENCE)
Bracci Susanna, Andreotti Alessia, Biondi Lucia, Colombini Maria Perla,Giannini Cristina, Parenti Daniela, Serefi dou Magdalini, Tapete Deodato
TECHNIQUE OF THE MURAL PAINTINGS OF THE HOSPITAL CHURCH IN HOREZU MONASTERY , ROMANIA
Hidaka Midori, Hidaka Kenichiro, Miyata Junichi
GOTHIC CANVAS PAINTING: AN EXAMPLE OF TECHNOLOGY RESPONDING TO REQUIRMENTS OF THE LITURGY
Janka Hradilová, David Hradil
THE NATIVITY BY AMBROGIO DELLA ROBBIA: A MULTIDISCIPLINARY APPROACH TO THE CONSERVATION OF POLYCHROME TERRACOTTA SCULPTURES
Bracci Susanna, Colombo Chiara, Conti Claudia, Magrini Donata, Realini Marco, Alessi Cecilia, Pierelli Louis Dante, Tonini Gabriella
MICRO-RAMAN ANALYSIS OF EARLY CHRISTIAN FRESCOES IN EGYPT
Hussein H. Marey Mahmoud
THE GOLDEN LEGEND WALL-PAINTINGS CYCLE IN THE ORATORIO DELL’ANNUNZIATA IN FERRARA: RECOVERY OF A CULTURAL IDENTITY
Manlio Montuori
SOME REMARKS ON FRACTAL ANLYSIS OF POLLOCK’S PAINTINGS
Oancea Andrei Victor, Rapa Alina
ANTHROPOMORPHIC WOODEN RELIQUARIES FROM KNOWLEDGE TO RESTORATION
Bartolomeo Figuccio, Mauro Sebastianelli, Maurizio Vitella, Franco Palla
STRETCHING OF CURVILINEAR CANVAS OF RELIGIOUS PAINTINGS
Skłodowski Marek, Pawłowski Piotr, Górecka Katarzyna, Wójcicki Paweł
THE TRIPTYCH OF THE HOLY SAVIOUR IN THE TIVOLI CATHEDRAL: DIAGNOSIS, CONSERVATION AND RELIGIOUS REQUIREMENTS
Lo Monaco Angela, Giagnacovo Cristina, Falcucci Claudio, Pelosi Claudia
ANALYTICAL, DIAGNOSTIC AND CONSOLIDATION AND WATER REPELENT TREATMENT OF THE BURGOS CATHEDRAL STONE
María Dolores Robador, José Luis Pérez-Rodríguez
SCIENTIFIC STUDY OF THE GOTHIC-RENAISSANCE ALTARPIECE OF SANTIAGO CHURCH IN ÉCIJA (SPAIN)
Franquelo María Luisa, Robador María Dolores, Pérez-Rodríguez Jose Luis
RADIOCARBON DATING AND GASCHROMATOGRAPHY WITH MASS SPECTROSCOPIC DETECTION ON THE RELIC OF S FRANCESCO’ SACK FROM THE FRANCISCAN FRIARY OF MONTELLA
I. Degano, K.L. Rasmussen, Johannes van der Plicht, M.P. Colombini
MONITORING OF THE SURFACE PATTERN OF ARTISTIC AND ARCHITECTURAL ARTEFACTS BY MEANS OF ULTRA CLOSE RANGE PHOTOGRAMMETRY
Manganelli Del Fà Rachele, Riminesi Cristiano, Tiano Piero
RESEARCH ADVANCES ABOUT PAINTINGS ON COFFERED CEILINGS IN THE NORTH OF PORTUGAL
Rodrigues Rita, Calvo Ana, Ferrão Afonso José, Frade José
MEGALITHIC BURIAL MONUMENTS IN THE BASQUE COUNTRY. A PROPOSAL OF ANALYSIS, DIAGNOSIS AND INTERVENTION
Ainhoa Rodríguez, Fernando Bazeta, Narayan Khandekar
GILT-TELLER – A MULTIMEDIA TOOL FOR THE STUDY AND MONITORING OF GILDED WOODCARVED DECORATION IN PORTUGUESE CHURCHES
Sandu Irina Crina Anca
MORE THAN GOLD – AN INTERDISCIPLINARY, COMPLEMENTARY STUDY OF GILDING MATERIALS AND TECHNIQUES IN BAROQUE ALTARPIECES FROM PORTUGAL
Sandu Irina Crina Anca, Murta Elsa, Ferreira Silvia, Pereira Manuel, Candeias António, Mirão José, Miguel Catarina, Paba Francesca
IDENTIFICATION OF INORGANIC ARTISTS’ PIGMENTS BY SURFACE ENHANCED RAMAN SPECTROSCOPY
Shabunya-Klyachkovskaya Elena, Vaschenko Svetlana, Stankevich Vyacheslav, Gaponenko Sergey
ARTWORKS ASCRIPTION BY ATOMIC SPECTROSCOPIC TECHNIQUES
Shabunya-Klyachkovskaya Elena, Kozhukh Natalia, Rozantsev Vadzim, Ershov-Pavlov Evgeniy, Kiris Vasiliy, Belkov Mikhail
NON-DESTRUCTIVE TESTING FOR THE ASSESSMENT OF STONE DECAY IN RELIGIOUS HERITAGE: CHURCHES OF SAN ROQUE (SEVILLE) AND NUESTRA SEÑORA DE LA ANTIGUA (TORREALHAQUIME, CADIZ)
Rosario Villegas Sanchez, Fátima Arroyo Torralvo
METAL CROWNS AND EX VOTO OBJECTS APPLIED TO CANVAS PAINTINGS: PROBLEMS OF CONSERVATION AND POTENTIAL SOLUTIONS
Vitale Maria, Di Natale Maria Concetta, Sebastianelli Mauro, Giambanco Giuseppe, Palla Franco

NEW MATERIALS FOR THE CONSERVATION AND RESTORATION
NEW MATERIALS AND METHODS USED IN THE CONSERVATION OF THE XVIITH CENTURY CURVILINEAR CANVAS PAINTING “ADORATION OF THE MAGI” FROM THE SAINT AUBAIN CATHEDRAL CHURCH IN NAMUR (BELGIUM)
Katarzyna Górecka, Marek Skłodowski, Piotr Pawłowski, Joanna Szpor

MONITORING AND SCHEDULED MAINTENANCE
THE IMPORTANCE OF INTERDISCIPLINARITY FOR MONITORING HISTORICAL MONUMENTS – THE CASE STUDY OF PROBOTA MONASTERY, SUCEAVA, ROMANIA
Dănilă-Sandu Natalia, Vartolomei Paula, Axinte Loredana, Cuzman Oana-Adriana
MICROCLIMATIC MONITORING OF THE SANTA CROCE MUSEUM IN FLORENCE: ENVIRONMENTAL RISK ASSESSMENT AND PREVENTIVE CONSERVATION STRATEGY
Francesca Becherini, Maria C. Di Tuccio, Arianna Vivarelli, Adriana Bernardi

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