The painting technique of Pietro Vannucci, called Il Perugino

The painting technique of Pietro Vannucci, called IL PERUGINO
Proceedings of the LabS TECH Workshop

edited by Giovanni Brunetti, Claudio Seccaroni and Antonio Sgamellotti

Perugino’s Certosa di Pavia Alterpiece: new technical perpectives

Perugino’s painting materials: analysis and context within sixteenth-century easel painting

Four anomalous pigments in Perugino’s palette: statistics, context, hypotheses

Comments on the technique and the material used by Perugino, through the study o a few paintings in French collections

The laser profilometry technique: an application for characterising the tools used to apply gesso ground to some panel paintings by Perugino

IR-colour scanning reflectography

The myth of cartoon re-use in Perugino’s underdrawing: technical investigations

The Madonna in Glory with Saints at the Pinacoteca Nazionale of Bologna

Perugino’s technique in the Sistine Chapel: analysis of the pentimenti

Perugino’s technique in the Sistine Chapel: scientific investigations

Bibliography

E-BOOK IN PDF FORMAT (48MB)
116 pages, illustrated